{"id":18635,"date":"2013-07-13T22:55:50","date_gmt":"2013-07-14T02:55:50","guid":{"rendered":"http:\/\/theredphoenixapl.org\/?p=18635"},"modified":"2013-07-13T22:55:50","modified_gmt":"2013-07-14T02:55:50","slug":"i-saw-the-lone-ranger-so-you-dont-have-to","status":"publish","type":"post","link":"https:\/\/redphoenix.news\/es\/2013\/07\/i-saw-the-lone-ranger-so-you-dont-have-to\/","title":{"rendered":"I saw “The Lone Ranger” so you don\u2019t have to"},"content":{"rendered":"

\"The-Lone-Ranger-2013-Movie-Wallpaper-1024x640\"<\/a><\/p>\n

It\u2019s been 12 hours since I saw The Lone Ranger, and I still have the darn<\/span>\u00a0William Tell Overture<\/span><\/a><\/span>\u00a0stuck in my head. I wonder how long that lasts. It\u2019s like waking up with a Tonto hangover, I guess. I have so many thoughts on this film, and only maybe one of them is good. But I think we need to start off with this: The Lone Ranger is just a bad movie. It\u2019s 2.5 hours of a film with an identity crisis, not knowing if it\u2019s supposed to be funny, campy, dramatic, \u201cauthentic,\u201d or what. At points it was very hard to separate the stereotypical and hurtful from the bad script, bad editing, and bad character development of the movie itself.<\/span><\/p>\n

So, if it even needs to be said:\u00a0SPOILER ALERT<\/strong>\u2013I\u2019m about to give away everything. But you\u2019re not going to see the movie anyway, so it shouldn\u2019t really matter. But you know how the internet is. Here\u2019s my review, in only 6 parts. I restrained myself.<\/span><\/p>\n

Some quick overall thoughts: Like I mentioned above, this movie didn\u2019t know what it was, and that was a problem. It was also so. incredibly. long. By the time we got to the final big train chase scene at the end where the pair saves the day (accompanied by the aforementioned William Tell) I wrote in my notes: FINALLY! I AM SO BORED! and then that scene drug on for another 15 minutes and I just wanted it to end. I forgot what we were even fighting for. Which I think was the problem all along.<\/span><\/p>\n

This is also the most violent movie I\u2019ve seen in awhile, and I\u2019m a fan of Game of Thrones. Don\u2019t take your kids, despite the Disney label and PG-13 rating. There is so much shooting and stabbing, and they show the aftermath. \u00a0Early on in the film the bad guy even cuts out and eats the Lone Ranger\u2019s brother\u2019s heart (yes, eats it). They have no qualms about shooting someone for the sake of shooting someone, and there are blood and guts and barn beams smashing people\u2019s heads. It\u2019s not something I would want to expose my kids to, at all.<\/span><\/p>\n

And for those of you new to the blog or need a refresher, here\u2019s all my Tonto coverage over the last year or so, which covers the casting, the costume, and a whole bunch of other things:<\/span>\u00a0my initial reactions<\/span><\/a><\/span>,<\/span>\u00a0why you should care about Tonto when there are \u201cbigger issues\u201d out there<\/span><\/a><\/span>,<\/span>\u00a0tearing apart Depp\u2019s reasoning over his costume choices<\/span><\/a><\/span>,<\/span>\u00a0the controversy I dealt with for writing about Tonto<\/span><\/a><\/span>, y<\/span>\u00a0Armie Hammer\u2019s comments about Indians loving the movie<\/span><\/a><\/span>.<\/span><\/p>\n

Part 1: The Opening Scene\u2013Indians are so backward and funny, y\u2019all!<\/strong><\/span><\/p>\n

The movie opens with a Buffalo Bill-style Wild West Show, set up like a museum of Natural History, and a little kid wanders in dressed like the Lone Ranger, eatin\u2019 some peanuts, lookin\u2019 at the buffalo, then, oh hey! \u201cThe Noble Savage in his natural habitat.\u201d Guess who that is??<\/span><\/p>\n

Spoiler! It\u2019s Johnny Depp. In some scary-ass old person makeup. Like seriously<\/span>\u00a0crypt keeper<\/span><\/a><\/span>\u00a0style. Then OMG he moves! and reaches out! and says in a croaky old person voice, the first words of the whole film: \u201cKemooosabeeeh.\u201d Then there\u2019s this whole bit where Tonto asks the little boy to \u201ctraaaade\u201d (sounding like zombies and\u00a0<\/span>\u201cbraaains<\/span>\u201d<\/a>) and points to his peanuts, which Tonto exchanges for a dead mouse. Then he proceeds to eat the peanuts with the shells on, crunching through them to the boy\u2019s disgust and wonderment, while feeding the crumbs to the bird on his head.<\/span><\/p>\n

I won\u2019t go this in-depth with the rest of the film, but I wanted to set the stage. The very first scene we are presented with an image of a Native person, in a museum\u2013which presumably we\u2019re supposed to critique, but there\u2019s no questioning of Tonto\u2019s position there. To me it reinforces the idea that all the Indians are dead, relics of the past, which is actually a theme throughout. This Indian is so silly and backward he trades a dead mouse for a bag of peanuts, doesn\u2019t even know how to\u00a0eat\u00a0<\/em>peanuts, and is feeding a bird, but it\u2019s\u00a0dead<\/em>. Even the child knows that\u2019s wrong. So\u00a0this<\/em>\u00a0is the \u201cnew\u201d Tonto? Definitely an improvement, amiright? (that was sarcasm. In case you missed it.)<\/span><\/p>\n

Anyway, Tonto launches into the story of the Lone Ranger for the kid in the museum. So the whole movie is in flashback.<\/span><\/p>\n

Tonto speak summary<\/em>: Tonto in museum. Tonto old. Tonto silly and backward. You listen to story now.<\/span><\/p>\n

Part 2: The Indians\u2013Let\u2019s combine ALL the stereotypes!<\/strong><\/span><\/p>\n

Here\u2019s the part you wanted to hear about, and I\u2019m trying to think of the best way to frame it. Despite the Comanche involvement in the film, there\u2019s still a lot of problems with conflating all Indians together. First off, we\u2019re in \u201cTexas,\u201d except Texas is set in the iconic Monument Valley\u2013Navajoland. Tonto from the start talks about being a \u201cWendigo hunter\u201d and that the bad guys are \u201cWendigos\u201d and that \u201cnature is out of balance.\u201d<\/span>\u00a0Wendigos<\/span><\/a><\/span>\u00a0are a Eastern Woodlands (Algonquian\/Cree\/Ojibwe) thing. Though they did get the stories kinda right, despite it being the completely wrong region\/tribe. I\u2019m not trying to argue that the movie should have been 100% \u201cauthentic\u201d\u2013whatever that means\u2013but to tout your Native involvement and have a central plot point be totally wrong just felt weird to me.<\/span><\/p>\n

Also general Tonto comments: Depp\u2019s \u201caccent\u201d is hilariously inconsistent, and whenever he has more than a few words to say, it would veer into an almost stereotypical Italian-sounding thing, and for not speaking English, his vocab is great. He\u2019s also very much the mystical-magical-Indian, an early scene shows him in jail making his bird come alive by singing and flapping his arms, he talks to the horse (and the horse talks back), he talks about LR being a \u201cspirit walker,\u201d etc.<\/span><\/p>\n

Tonto speak summary<\/em>: Indians during this time wild and dangerous. Indians all the same, kemosabe. Indians especially magical. Squint eyes and you will see, Utah can be Texas.<\/span><\/p>\n

Part 3: The Comanche\u2013Wait, is that Gil Birmingham?<\/strong><\/span><\/p>\n

After a false start where we see Rebecca (Lone Ranger\u2019s love interest and his brother\u2019s widow) protecting her homestead from raiding Comanches complete with war whoops and flaming arrows\u2013but wait, they weren\u2019t\u00a0really\u00a0<\/em>Indians, it was Cavenish\u2019s (the bad guy) men just\u00a0playing\u00a0<\/em>Indian, we finally get to meet the Comanche camp after they capture the LR and Tonto. Here\u2019s where we get to see the Native actors involved in the film, and the first glimpse of any Indians besides Tonto. Guess what they\u2019re doing? Preparing for war, dancing around a fire, of course. Lots of yelping, lots of drumming, lots of masked, painted, and darkened Native faces.<\/span><\/p>\n

Then the LR is pulled into a Tipi, and we meet Saginaw Grant\u2019s character, who, low and behold, speaks in complete sentences! Makes jokes! He gives us Tonto\u2019s back story (more on that in a minute). I don\u2019t really remember the rest of the scene because I was distracted by the fact that<\/span>\u00a0Gil Birmingham<\/span><\/a><\/span>, who actually *is* Comanche was sitting there with face and body paint on and doesn\u2019t. have. any. lines. My dad compared it to Civil War movies where they have the Black regiment march by in a scene as a \u201coh, see, we thought about the POC!\u201d moment. I feel like his cameo was an attempt to show they had Native actor\u00a0involvement\u00a0 despite the lack of any depth of character.<\/span><\/p>\n

Throughout the film, besides the tipi exchange, the only scenes we see of the Comanche are them preparing for war, leaving for war, fighting in war, or dead.<\/span><\/p>\n

Edit:\u00a0<\/i>I should add that there is use of Comanche language throughout, for commands, greetings, and small exchanges. Tonto speaks it a bit too when talking to the horse. So that\u2019s important to note. I also failed to mention that I\u2019ve read the tipis in the film are done Comanche-style, and I can only assume the other details like the drums, dancing, etc. are \u201ctrue\u201d to Comanche culture.<\/span><\/p>\n

Tonto speak summary<\/em>: Comanche just like hollywood western Indians. We war whoop around fire. Get ready for war. You see? Gil Birmingham and Saginaw Grant. Indians watching film should be happy now.<\/span><\/p>\n

Part 4: Tonto\u2019s Backstory\u2013He\u2019s off his rocker, so don\u2019t get mad!<\/strong><\/span><\/p>\n

I think this was the \u201ctwist\u201d everyone kept telling me would \u201cexplain everything.\u201d Saginaw\u2019s character tells the LR about how, as a child, Tonto showed the bad guys where all the silver was, in exchange from a pocketwatch from \u201cSears and Roebuck\u201d (a weird detail that stuck out\u2013product placement? ha). The bad guys come back and murder his entire village to keep the location a secret\u2013of which they show the aftermath. They show the village burnt to the ground, dead women and men everywhere, and then Tonto picks up his dead raven from the rubble and stripes his face with the soot. Saginaw tells us all this (starting with \u201cmany moons ago\u201d\u2013I kid you not) and that now Tonto is a \u201cman apart (or departed? I can\u2019t read my notes. It was dark.)\u201d and has basically gone crazy and taken on this \u201cWendigo hunter\u201d thing as a means to cope with what he did. So, I\u00a0think<\/em>\u00a0this whole thing was supposed to excuse his crazy antics and look, because his own people don\u2019t endorse it. But I\u2019m pretty sure most movie audiences aren\u2019t going to pick up on that nuance.<\/span><\/p>\n

There was also this almost<\/span>\u00a0sacred clown<\/span><\/a><\/span>\u00a0thing going on with Tonto too\u2013where he does the opposite of what is accepted by his tribe. For example, in one scene he grabs the LR\u2019s whiskey glass and drinks it in a single gulp (problematic for a couple reasons), but says its a \u201cComanche welcome ritual.\u201d Later, the LR tries to repeat the same gesture to Saginaw, and the whole tipi reacts as if he\u2019s committed a huge social taboo. Again, probably way more nuance than anyone is going to pick up on, and a tradition from another community anyway.<\/span><\/p>\n

Tonto speak summary:\u00a0<\/em>Tonto sold out his community for pocketwatch. He watch them all die. He take on Wendigo hunter role to get justice. See, Tonto crazy, not stereotypical! Tell Adrienne K. she no can be mad.<\/span><\/p>\n

Part 5: The Genocide\u2013We killed them all\u2026now look at the horse in a tree!<\/strong><\/span><\/p>\n

This, to me, was the worst part of the movie in terms of the portrayals of Natives, and a lot of it was due to the jumpy nature of the film, the editing, and what-not, but still. After the scene at the Comanche camp, we watch the Comanche ride off to war, leaving Tonto and the LR buried up to their necks in scorpion-infested dirt. As Saginaw and Gil ride off, the LR shouts after them, \u201cThere doesn\u2019t need to be a war!\u201d and Saginaw answers, \u201cIt doesn\u2019t matter, we are already ghosts.\u201d Indians are so brave. ::swoon:: Skipping forward, we watch the Comanche attack come over a hillside in the shadows,<\/span>\u00a0you know what it looks like<\/span><\/a><\/span>, and there\u2019s a moment as a viewer of \u201cohhh damn, watch out you silly railroad and calvary dudes, you\u2019re about to get owned by some Comanches!\u201d because they look so intimidating and like there are far more of them then the white guys. But no, the Calvary mows them down with an early machine gun, and we watch as all of the Comanches are slaughtered, including a close up of Saginaw getting stabbed.<\/span><\/p>\n

It\u2019s very much a Guns, Germs, and Steel type moment\u2013even though the Indians outnumber the whites, they\u2019re not technologically advanced enough to win, and they are too dumb (or full of backward \u201chonor\u201d) to realize they\u2019re headed for a death trap.<\/span><\/p>\n

While all this is happening, Tonto is busy saving the LR from the firing squad, with plenty of jokes and quips, and he looks over his shoulder, watching the massacre happen, as he pumps away on one of those railroad<\/span>\u00a0hand cart things<\/span><\/a><\/span>. He\u2019s definitely too busy making jokes and saving his white friend to try and help his people.<\/span><\/p>\n

After it all happens, and we\u2019re to understand all the Comanche are dead, Tonto picks up his bird from the river full of floating feathers,\u00a0shields, and bodies. I braced myself for the emotional realization that his entire tribe had just been slaughtered. Again. But no. Instead the camera pans up and we are shown Silver, the horse, standing in a tree holding the LR\u2019s hat in his mouth. To which Tonto quips, \u201cYes. Something definitely wrong with that horse.\u201d The scene then quickly cuts to a loud brass band and celebration at the unveiling of the railroad line back in town.<\/span><\/p>\n

Let me reiterate that, not in Tonto speak, because it\u2019s important: They slaughter an entire tribe of Natives, and there is no discussion. Just an awkward joke and a cut to the next scene. What?<\/span><\/p>\n

Part 6: The End\u2013Tonto wanders off into the sunset<\/strong><\/span><\/p>\n

Finally we come to the end of the story. Tonto finishes telling it all to the little boy in the museum, and we see that he has put on a suit, holds a suitcase, and places a bowler hat over his crow (which he has continued to \u201cfeed\u201d throughout the film). The boy gets momentarily distracted, turns back, and OMG again, Tonto\u2019s gone! In return, a (live) crow flies out of the exhibit and at the screen. Then we cut to credits. Then, a few minutes later, we see Tonto wandering off into the vastness of Monument Valley, hobbling along, carrying his suitcase. He continues to walk, back to the camera, for the next 10 minutes as the credits go on, and on, and on. I guess we\u2019re to assume his time as a \u201cNoble Savage\u201d has passed, and he\u2019s returning to his unbridled wilderness, alone\u2013but dressed as a white guy this time? This, like most of the movie, didn\u2019t make any sense.<\/span><\/p>\n

Tonto speak summary:\u00a0<\/em>Tonto still magical and mystical. Tonto wander off alone. Just like Edward Curtis<\/span>\u00a0\u201cThe Vanishing Race\u201d<\/span><\/a><\/span>.<\/span><\/p>\n

Bonus: The other stuff\u2013The womenz, the Chinese, and other POC\u00a0<\/strong><\/span><\/p>\n

The Lone Ranger fails the<\/span>\u00a0Bechdel test<\/span><\/a><\/span>. There are not two (named) women, who speak to each other, about something other than a man. The portrayals of the Chinese laborers who built the railroad are super problematic too, they have them in rice paddy hats, and the only time they speak is to tell the bad guys they won\u2019t go in the tunnel because there are \u201cIndian spirits\u201d in there. Then that guy gets shot. The only Black characters are one of Rebecca\u2019s employees (who gets shot defending the house), and the driver\/bouncer of the \u201cHouse of Sin\u201d where Helena Bonham-Carter works. This is also supposed to be Texas, but I can\u2019t actually think of any Latino characters, besides a \u201cSpaniard\u201d (bad guy), and another of Rebecca\u2019s employees.<\/span><\/p>\n

Still with me? Nice work. So clearly I went into this with a critical lens, but you wouldn\u2019t expect anything less. This film has come under a lot of harsh criticism, and for the most part, it deserves it. As a piece of cinema, it\u2019s just a bad movie. On top of a bad movie, we have layers of stereotypes and harmful representations that are going to keep haunting us as Native peoples for years to come.<\/span><\/p>\n

My theater had a bunch of kids in it. I kept thinking about what images they were leaving the theater with\u2013and that left me upset and worried. Now an entire new generation is going to play the Lone Ranger and Tonto at recess, thinking Indians talk in incomplete and inconsistent pidgin English, think all Indians are dead, and that it\u2019s ok to dress as an \u201cIndian\u201d for Halloween. While this might be a flash-in-the-pan film, it solidifies the continuing views of Native peoples as lesser, as relics of the past, as disappearing, as roadblocks to \u201cprogress.\u201d Tonto might have been less of a sidekick and running the show, but in the end, the LR gets the girl and the glory, and Tonto ends up in a museum. Hows that for a re-imagining.<\/span><\/p>\n

I have a lot more to say (of course), and can only imagine there might be a follow up post (or two, or three) as I think through some of the bigger issues of white supremacy and messaging and how this has all played out in the media. But I do have to say, as backward as it sounds, thank you to Johnny Depp. Because all of a sudden everyone cares about Indians in hollywood, everyone cares about stereotypes in the media. He might have thought it was his Tonto character that would fix things in Hollywood, but in fact the huge mistakes of this film have opened up the door for a conversation that needed some publicity. So thanks for that, I guess. Let\u2019s hope this signals a turning point.<\/span><\/p>\n

Bottom line: Don\u2019t go see the Lone Ranger. Just don\u2019t.<\/span><\/p>\n

Fuente<\/span><\/a><\/span><\/p>","protected":false},"excerpt":{"rendered":"

It\u2019s been 12 hours since I saw The Lone Ranger, and I still have the darn\u00a0William Tell Overture\u00a0stuck in my head. I wonder how long..<\/p>","protected":false},"author":1,"featured_media":37922,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[149,18,43,46,97,106],"tags":[228,197,357,350],"class_list":["post-18635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discrimination","category-history","category-media-culture","category-tvfilm","category-us-news","category-women","tag-colonialism","tag-imperialism","tag-racism","tag-united-states-history"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/redphoenix.news\/wp-content\/uploads\/2026\/04\/the-lone-ranger-2013-movie-wallpaper-1024x640-1.jpg?fit=1024%2C640&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/posts\/18635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/comments?post=18635"}],"version-history":[{"count":0,"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/posts\/18635\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/media\/37922"}],"wp:attachment":[{"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/media?parent=18635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/categories?post=18635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redphoenix.news\/es\/wp-json\/wp\/v2\/tags?post=18635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}