{"id":26328,"date":"2023-04-17T17:19:05","date_gmt":"2023-04-17T21:19:05","guid":{"rendered":"https:\/\/redphoenixnews.com\/?p=26328"},"modified":"2026-04-23T23:51:50","modified_gmt":"2026-04-24T04:51:50","slug":"it-can-happen-here-three-l-a-museums-shine-spotlights-on-the-hollywood-blacklists-75th-anniversary","status":"publish","type":"post","link":"https:\/\/redphoenix.news\/es\/2023\/04\/it-can-happen-here-three-l-a-museums-shine-spotlights-on-the-hollywood-blacklists-75th-anniversary\/","title":{"rendered":"Puede suceder aqu\u00ed: Tres museos de Los \u00c1ngeles destacan el 75 aniversario de la Lista Negra de Hollywood."},"content":{"rendered":"\n
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Members of the Hollywood Ten and their families in 1950, protesting the impending incarceration of the ten, from the documentary Legacy of the Hollywood Blacklist (1987).<\/sup><\/em><\/figcaption><\/figure>\n\n\n\n

By Ed Rampell, Red Phoenix guest contributor<\/strong>.<\/p>\n\n\n\n

Three museums are commemorating the 75th<\/sup> anniversary of the Hollywood Blacklist, the darkest period in Tinseltown history. What happened during this period of rightwing repression? As actor Humphrey Bogart put it: \u201cWe saw it\u2014and said to ourselves, \u2018It can happen here.\u2019 We saw American citizens denied the right to speak by elected representatives of the people! We saw police take citizens from the stand like criminals, after they\u2019d been refused the right to defend themselves. We saw the gavel of the Committee Chairman cutting off the words of free Americans. The sound of that gavel, Mr. Thomas, rings across America, because every time your gavel struck it hit the First Amendment to the Constitution of the United States.\u201d<\/p>\n\n\n\n

Bogie asserted this in a \u201cHollywood Fights Back!\u201d radio program in 1947, which is heard in Judy Chaikin\u2019s 1987 documentary Legacy of the Hollywood Blacklist<\/em>, screened 75-ish years later on March 26, 2023 at the Hollywood Heritage Museum as part of a program of the same name. The Emmy Award nominated nonfiction film is narrated by Burt Lancaster, who had also participated in the \u201cHollywood Fights Back!\u201d broadcasts, organized by the Committee for the First Amendment, composed of La-La-Land leftists and liberals who opposed the Blacklist.<\/p>\n\n\n\n

Chaikin\u2019s 60-minute documentary chronicles the motion picture purge, when hundreds of talents were subpoenaed by the House Un-American Activities Committee to testify about subversion and Communist infiltration in Tinseltown. (Some artists \u2013 including Maltese Falcon <\/em>author Dashiell Hammett, poet Langston Hughes, folksinger Pete Seeger and Spartacus <\/em>author Howard Fast \u2013 were also summoned to appear before Senator Joe McCarthy\u2019s Senate Permanent Subcommittee on Investigations.)<\/p>\n\n\n\n

On October 27, 1947, John Howard Lawson became the first member of what came to be known as the \u201cHollywood Ten\u201d \u2013 seven screenwriters, two directors and one producer \u2013 to provide testimony to HUAC. They declined to answer questions regarding their union and political ties, including the million-dollar query: \u201cAre you now or have you ever been a member of the Communist Party?\u201d Standing on their First Amendment right, the Ten believed this prying into personal affiliations was unconstitutional governmental meddling. In particular, the filmmakers were concerned that if they answered the Committee\u2019s inquiries about themselves, they\u2019d then open themselves up to being asked about the associations of friends and colleagues.<\/p>\n\n\n\n

But the Hollywood Ten\u2019s refusal to be Quislings to HUAC\u2019s quizzes, in sometimes testy testimony broadcast coast-to-coast on live radio, came at a high price. The Ten were charged with contempt of court and they were all forced to pay fines and serve up to a year behind bars in the land of the free. In addition to their imprisonment, movie moguls announced studios wouldn\u2019t employ \u201cCommunists,\u201d who were banned from working in the motion picture industry. In 1951 a second wave of blacklisting erupted when prominent actor Larry Parks became the first of around 300 more members of the creative community to be blacklisted, mainly for refusing to recant their own political activities and name the names of other suspected radicals.<\/p>\n\n\n\n

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An anti-Communist picket against the film David and Bathsheba. The film\u2019s writer, Philip Dunne, and one of its stars, Gregory Peck, were targeted by the House Un-American Activities Committee. (Photo: AP)<\/sup><\/em><\/figcaption><\/figure>\n\n\n\n

Chaikin\u2019s excellent Legacy of the Hollywood Blacklist <\/em>chronicles all this, mainly from the point of view of the wives and children of the persecuted talents who paid such steep prices for not becoming informers. After the screening of the documentary at the Hollywood Heritage Museum, board member Julie Fleischer, who produced the event and is a script supervisor of TV shows including Will & Grace<\/em>, The Big Bang Theory<\/em> and Paramount\u2019s Frasier<\/em> reboot, moderated a panel that included Chaikin and some of her film\u2019s interviewees and other children of blacklisted artists. They included:<\/p>\n\n\n\n

\u200b\u200bBecca Wilson, daughter of Oscar-winning screenwriter Michael Wilson (who was denied screen credits for co-writing 1957\u2019s The Bridge on the River Kwai<\/em> and 1962\u2019s Lawrence of Arabia<\/em>); Vicki Crawford, daughter of Oliver Crawford (who wrote Star Trek<\/em>); Michael Collins, son of screenwriter Richard Collins (who co-wrote 1944\u2019s Song of Russia<\/em> and named 26 names in his HUAC testimony) and actor Dorothy Comingore (who co-starred in 1941\u2019s Citizen Kane<\/em> and wouldn\u2019t inform to HUAC). The panelists recounted the toll that persecution took on their families. Becca remembered watching a movie her father wrote at a theater and how he cried at the end when the credits rolled \u2013 because his name was omitted.<\/p>\n\n\n\n

From the Museum\u2019s floor, Andy Parks, son of actors Betty Garrett and Larry Parks, recalled the heartbreaking March 21, 1951 testimony of his father who pleaded with the Committee: \u201cI will tell you everything that I know about myself\u2026 I would prefer, if you will allow me, not to mention other peoples\u2019 names. Don\u2019t present me with the choice of either being in contempt of this Committee and going to jail or forcing me to really crawl through the mud to be an informer\u2026 I don\u2019t think this is American\u2026 [It] is more akin to what happened under Hitler\u2026 So I beg of you not to force me to do this…\u201d Despite cracking under pressure and divulging others\u2019 names, HUAC spitefully blacklisted Larry Parks anyway.<\/p>\n\n\n\n

Located across from the legendary Hollywood Bowl, in a barn converted into a movie studio by Cecil B. DeMille to shoot a Western in 1914, what\u2019s now the Hollywood Heritage Museum is a reliquary of artifacts from the days of silent movies and Hollywood\u2019s golden age, a veritable shrine to La-La-Land lore and moving picture pioneers. But Becca Wilson warned that the Blacklist, which started three quarters of a century ago, is not just ancient history. Striking a cautionary note, Becca quoted from her father\u2019s 1976 acceptance speech for the Writers Guild of America\u2019s Laurel Award:<\/p>\n\n\n\n

\u201cI feel that unless you remember this dark epoch and understand it, you may be doomed to replay it. Not with the same cast of characters, of course, or on the same issues. But I see a day perhaps coming in your lifetime, if not in mine, when a new crisis of belief will grip this republic; when diversity of opinion will be labeled disloyalty; and when extraordinary pressures will be put on writers in the mass media to conform to administration policy on the key issues of the time, whatever they may be. If this gloomy scenario should come to pass, I trust that you younger men and women will shelter the mavericks and dissenters in your ranks, and protect their right to work. The Guild will have the use and need of rebels if it is to survive as a union of free writers. This nation will have need of them if it is to survive as an open society,\u201d insisted Michael Wilson.<\/p>\n\n\n\n

As portents of a \u201cgloomy scenario\u201d in our own time, Becca Wilson cited \u201cbooks banning\u201d and the fact that Donald Trump\u2019s \u201cfirst consigliore\u201d was none other than witch-hunting Senator McCarthy\u2019s righthand man, Roy Cohn, one of the Red Scare\u2019s most despicable grand inquisitors.<\/p>\n\n\n\n

Along with the Hollywood Heritage Museum\u2019s Rudolph Valentino and Mary Pickford, et al, memorabilia, screenwriter\/director Allison Burnett loaned HHM historic Blacklist mementos exhibited in display cases to enhance the Legacy screening and panel. Ken Levy, son-in-law of screenwriter Robert Lees, who wrote comedies such as 1948\u2019s Abbott and Costello Meet Frankenstein<\/em>, gushed that the Museum\u2019s sold-out show was \u201cone of the best Blacklist events I\u2019ve ever attended.\u201d In 2017, Levy co-organized the 70th<\/sup> anniversary commemoration<\/a> of the Hollywood Blacklist at the Writers Guild theater in Beverly Hills, which featured TV\/movie actors and relatives of persecuted talents reenacting blacklistees\u2019 HUAC testimony.<\/p>\n\n\n\n

Another relative of a purged screenwriter attending the Legacy program was Nancy Escher, daughter-in-law of Dalton Trumbo, who won an Academy Award using a pseudonym for 1956\u2019s The Brave One <\/em>and is widely acknowledged as the scribe who broke the Blacklist, when he received screen credits for 1960\u2019s Exodus <\/em>and Spartacus<\/em>. On April 29, Escher is introducing that epic drama about the gladiator-led slave revolt against the Roman Empire during the Academy Museum of Motion Pictures\u2019 \u201cThe Hollywood Ten at 75\u201d film series, which is dedicated to the recently deceased Blacklist historians Victor Navasky, author of Naming Names<\/em>, and Dave Wagner, co-author of Radical Hollywood <\/em>and Tender Comrades<\/em>.<\/p>\n\n\n\n

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Members of the Hollywood community who formed the Committee for the First Amendment flew from LA to Washington during the 1947 HUAC hearings to support and defend the Hollywood Ten. (Photo courtesy of Ed Rampell)<\/sup><\/em><\/figcaption><\/figure>\n\n\n\n

I\u2019m presenting the April 13-30 screenings of \u201cThe Hollywood Ten at 75\u201d movies, which kicks off with a double feature of 1943 World War II morale boosters. Tender Comrade <\/em>stars Ginger Rogers and is written and directed by two members of the Hollywood Ten: Dalton Trumbo and Edward Dmytryk. The desert drama Sahara <\/em>stars Bogie and was written by the first member of the Hollywood Ten to testify, John Howard Lawson, purported leader of the Hollywood branch of the Communist Party. Lawson\u2019s granddaughters, Nancy Lawson Carcione and Andrea Lawson, will join me on the Academy Museum\u2019s stage for a discussion between the two movies.<\/p>\n\n\n\n

The West Coast debut of \u201cBlacklist: The Hollywood Red Scare\u201d is taking place May through September \u201cat the Skirball Cultural Center with newly added artifacts, Blacklist: The Hollywood Red Scare<\/em> shines a spotlight on the proceedings, investigations, motives, and choices of those caught in the crosshairs\u2014including the many Jewish creatives and executives who suffered under and enforced the blacklist. The result is an emotionally complex and compelling exhibition that demonstrates how the politics of Hollywood can shape the entire country. The exhibition is organized by Jewish Museum Milwaukee,\u201d according to the Skirball\u2019s website.<\/p>\n\n\n\n

The educational program includes online classes and screenings of Blacklist-related movies, such as 1973\u2019s The Way We Were<\/em>, starring Robert Redford and Barbra Streisand, and aims to: \u201cExplore the history and impact of the Hollywood Red Scare and its contemporary implications for civil liberties, propaganda, and shifting definitions of American patriotism.\u201d<\/p>\n\n\n\n

In addition to these three Los Angeles museums, in October 2022 Turner Classic Movies presented “75th Anniversary of the Hollywood Blacklist<\/a>,”<\/em> airing mostly vintage films for three weeks with a special theme highlighting what Hollywood Ten screenwriter Alvah Bessie called \u201cthe Inquisition in Eden.\u201d During this dire period U.S. conservative cancel culture ran amok, weaponizing government to persecute those who were considered to be \u201cwoke\u201d back in the 1940s and 1950s.<\/p>\n\n\n\n

From the Salem witch trials to the Espionage and Sedition Acts to the House Un-American Activities Committee and beyond, the witch-hunters and inquisitors have always been among us. On February 2 \u2013 2023, not 1953 \u2013 the House of Representatives passed House Concurrent Resolution 9, \u201cDenouncing the horrors of socialism\u201d, with a 328 Yeas, 86 Nays and 14 Present vote, declaring: \u201cWhereas the United States of America was founded on the belief in the sanctity of the individual, to which the collectivistic system of socialism in all of its forms is fundamentally and necessarily opposed: Now, therefore, be it<\/p>\n\n\n\n

\u201cResolved by the House of Representatives (the Senate concurring), <\/em>That Congress denounces socialism in all its forms, and opposes the implementation of socialist policies in the United States of America.\u201d On February 7, 2023, the Senate referred the resolution<\/a> to the Judiciary Committee.<\/p>\n\n\n\n

At Capitol Hill, after gun control advocates Patricia and Manny Oliver \u2013 whose son had been killed at 2018\u2019s Parkland school mass shooting \u2013 disrupted a House Judiciary Committee hearing<\/a>, they were removed from the hearing room. Manny was restrained, cuffed with his hands behind his back and pinned down on the hallway floor by three officers who were then joined by numerous other guards on March 23, 2023. On April 6, 2023, two young Black lawmakers who oppose gun violence were expelled from the Tennessee House of Representatives.<\/p>\n\n\n\n

Learning about yesterday\u2019s anti-communist Reds-under-the-beds hysteria can empower people today to resist the rising tide of book banning, school curriculum gagging, censorship, disinformation, history denial, expulsions, redbaiting and more. If we don\u2019t, as Michael Wilson warned, we \u201cmay be doomed to replay it.\u201d<\/p>\n\n\n\n

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Cover of the book “Documentation of the Red Stars in Hollywood” by Myron C. Fagan, 1950.<\/sup><\/em><\/figcaption><\/figure>\n\n\n\n
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This article is the first installment of our Hollywood Blacklist series by film historian and critic Ed Rampell. The complete series can be found below:<\/p>\n\n\n\n